Short Walk (B)
Those photos were another product of the same Short Walk (A), hence using the same homemade lenses Helicoid (A) and (B) on the Sony A7R. While walking through the park, finding which flower is really a chance encounter, and how to capture it, while seeing the character of the optics and the shape of the flower, how to compose it, in which angle and the distance IS what all about the Photography. In certain extent, it is a game or the match between the two personalities. In Zen Buddhist term, we are living on the moment to moment life. And to deal with the Person (subject just encountered) as if there is nothing else exists and nothing else to do is, so-called Mindfulness, and in this mind-set, there is no Ego. So, this situation is a proof of the No-self or Anatman. Yet still, in other stance, to see a subject as a subject might be seen as yet another Ego, therefore not aim the subject but to see everything as the everything may be a right view. Though, in practice, the image of an ultra-wide angle lens clicked random is just a mess —– so, the question is, whether the Zen needs a nice answer ? Or such answer itself is not Zen ? ? ? —– Good question. What a nice day ! —– Ha ha ha, 😀
Helicoid (A) lens happen to have an Iris, so that, by the depth of field control, flower showed a bit more details, still, take the image of Helicoid (B) (photo right) is a matter of the taste.
Both (A) and (B) lenses, its center of close-up images are amazingly good.
Those two pictures were given a shake when the shutter was opened. (Don’t ask me what for — it’s only for a fun)
I realized that I don’t have many photos of the Blue Bell. May be their flower is too common, yet only in a short period. Still, why it makes the difference to the Cherry ? —– M m m ? —– I might have an unconscious notion, that the Cherry is the Japanese but the Blue Bell is English. But why ? ? ? —– May be because, I didn’t grow up with Blue Bell but with Cherry. As the photography is a way of the Self expression, it became a kind of a biography.
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