Yoshizen's Blog

Kodak Brownie camera and 620 Film (B)

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At last, I got 620 film from the Net and some more 120 film to play with Brownie camera.  😀

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And I perfected the knack to use 120 film on the Brownie camera (by enlarge the holes of 120 film spool, etc.    With much annoyance of the purists over there.  I guess.

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And now I’m ready to do a dark-room work since I got the chemicals, thermometer etc.   I wish I’m still maintaining the skill to wind the film on to a developing reel without leaving my finger-print on the film, in a total darkness.

Though, the room temperature these days are 27, 28 degree = rather hard to keep the developer’s temperature in the tank to 20 degree constant —– on a dry-run test, start with the developer which has been kept in a fridge and 18 degree (after 9, 10 minuets process, it would end-up to 23 degree) may be acceptable. — (have a water-bath with ice-cube, is the another approach though I’m a lazy man and I don’t have ice-cube tray — as they have been used to keep elec’ components.)

So, to see the images in a developed film (color transparency needs to go to a lab) would be a fun.    😀

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Short Walk (B)

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Those photos were another product of the same Short Walk (A), hence using the same homemade lenses Helicoid (A) and (B) on the Sony A7R.     While walking through the park, finding which flower is really a chance encounter, and how to capture it, while seeing the character of the optics and the shape of the flower, how to compose it, in which angle and the distance IS what all about the Photography.  In certain extent, it is a game or the match between the two personalities.  In Zen Buddhist term, we are living on the moment to moment life.   And to deal with the Person (subject just encountered) as if there is nothing else exists and nothing else to do is, so-called Mindfulness, and in this mind-set, there is no Ego.   So, this situation is a proof of the No-self or Anatman.   Yet still, in other stance, to see a subject as a subject might be seen as yet another Ego, therefore not aim the subject but to see everything as the everything may be a right view.   Though, in practice, the image of an ultra-wide angle lens clicked random is just a mess —– so, the question is, whether the Zen needs a nice answer ?    Or such answer itself is not Zen ? ? ?  —– Good question.   What a nice day ! —– Ha ha ha,  😀  

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Helicoid (A) lens happen to have an Iris, so that, by the depth of field control, flower showed a bit more details, still, take the image of Helicoid (B) (photo right) is a matter of the taste.

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Both (A) and (B) lenses, its center of close-up images are amazingly good.

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Those two pictures were given a shake when the shutter was opened. (Don’t ask me what for — it’s only for a fun)

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I realized that I don’t have many photos of the Blue Bell.  May be their flower is too common, yet only in a short period.  Still, why it makes the difference to the Cherry ? —– M m m ?  —– I might have an unconscious notion, that the Cherry is the Japanese but the Blue Bell is English.   But why ? ? ? —– May be because, I didn’t grow up with Blue Bell but with Cherry.   As the photography is a way of the Self expression, it became a kind of a biography.

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Short Walk (A)

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In deed, I haven’t have done a photo-walk a while. —– without a reason = IS a problem = just getting lazy.   So, bashing myself and went out with a camera and two lenses. (still, all in one pocket = that’s a beauty of the small homemade lenses. = Helicoid (A) and (B) lenses with Sony A7R)

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You may wonder what was a point to have those two lenses.   Ha ha ha, you are right.  Both of them are equally fuzzy lenses.  The differences were, —– if the fuzzy surrounding has Coma bokeh, it was the (A) lens.  And if it was with Astigmatism bokeh, it was the (B) lens.   Both for the sake of painterly effect which I like very much.

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Cherry Cherry – 2018

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Since I put the photo of the first cherry, it’s already 3 weeks past.  They are still in full bloom though, the flowers started falling. The end of Somei-yoshino season.   (Then Multi petals cherry is coming.)

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So, this year’s Cherry pictures were made by “Helicoid-B” lens.  (One of the worst reputed lens ! = therefore in these days I’ve been using the most.   😀 )

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Without me shake even a single finger, the picture became almost trembled. ( = The technique to produce the paintary effect in the most economical way !     😀 )

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(Only the problem was that the image in the finder was too fuzzy to see the focus.)

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So, those two (three) photos were taken by a kind of normal lens = Tamron SP 500 mm Mirror lens. —— Somebody teased me saying “Can’t you take normal picture ?” “I leave that kind of business to the Phone camera user, otherwise no point for me to use bulky interchangeable lens camera”   😀

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Though, the Tamron gave me too pale color.  (May be I need to use Photoshop kind though, that’s what I hate most.)

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What ? — OMG, it’s Cherry flower

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On the street, I found a dropped Cherry flower.   —– ?    What ?   —– I looked up, OMG it was a cherry tree started to open the flowers.   Only few days ago, there was nothing.  It’s suddenly happened.  I picked up a dropped flower and a bud to bring back.

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I put the flowers on the water in a lens cap.  And took pictures.  (After a while, a bud opened as well) —– It was a kind of my habit in these days, which was to make the photos for comparison = the photo left above was taken by Sony 30 mm F3.5 Macro and the right was by Helicoid-B lens.

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So, this year’s first Somei-yoshino flowers were put next to the kitchen tap = In fact, this IS my photo studio.  (All the “Studio shot” in my Blog were taken in this “Studio” !    Another funny fact was — that all those homemade lenses were made in this kitchen work shop, and almost all of my sculptures were also produced in here.)  

It’s very simple, if we need to make, make it, or just do it.   There may not need to have any good-cause or theory or facility kind.  So, if you have a knife, you can cut.  With the same knife, you can cook as well.  If you can’t, you were just clinging an excuse of not to do or even worse you might be waiting somebody to push your back.   😀     (By the way, this is in deed the way of Zen = Zen need no cause or reason to do.  In fact Zen is to eliminate anything that kind.  Therefore Mushin (Mind of No mind) still, even a mind to think No-mind shouldn’t be there, = hence “Everyday’s Mind” (Heijo-shin 平常心). That’s why to able to be in the Everyday’s mind which is nothing special / peculiar  (is so ubiquitous as a dog shit) IS the Enlightenment. 

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Screen Copy by Fuzzy Lens

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The outside is still cold and not much flower, and, I’m not keen to take picture of cut flower = so, just took photo of a flower in my old post screen using very fuzzy Helicoid-B lens.

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When I try, I realized that the old screen of XP laptop makes moire pattern, so I changed it to iPad screen. (though, iPad screen makes the color a bit artificial)

Following 4 set of those photos, Left side were the original and the right photos were the screen shot. (All those photos came from Somewhere Net website —– I hope they don’t fuss about the copyright)  (If you Google, you may find the same very easily)

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Ideally, I should take the original photo myself though, I’m no longer such keen —– (and neither the model herself keen to see dirty old man.  Ha ha ha.  😀 )

I think you may agree, we don’t need to see too much details of the girls.  We are not seeing the woman like an ological specimen.   In certain extent, the beauty of the flower is the same = We only need to feel its atmosphere. (If we go into the details of the flower, often they are rather grotesque. —– after all,  flower is the sexual organ of the plant. —– or, am I a sexcist ?)

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Andreas Gursky Exhibition

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I went an ongoing exhibition of Andreas Gursky in Hayward Gallery with my friend’s family.

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The 16 months boy said to have started to walk this week.

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For the boy,  it was the first experience to be in a huge space and a slippery floor.  And he seemed to be very much fond of that and enjoying.

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Gursky’s huge prints are amazingly sharp and detailed —– I was wondered what size of camera he had used ?  —– Then as I discovered that they were composed from many photos etc, I lost interest.   I rather like to see such work from graphic designers.

 Photo above said to be a landscape of Tokyo though, houses standing next by next without hedges nor the gaps.  Of course, no such place could exists. (Think, how people can access to their door ? — Where is the street ?) = It’s mean, the houses in this photo were stitched-up one by one leaving no gap ! = This IS an utter fake.  Not only that, if his image of Tokyo in its “Reality” was like this, I have to doubt his intelligence. —– You can find the lords of straight photos of Tokyo in the Net, not mention National Geographic kind.   😀

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Photography is the art of “I’ve seen it and I captured” —– The primary existence is the subject. Once we started to make-up and project our own image, its became a business of the designer or even a painter, not of a Photographer.

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It seemed that Gursky’s interest were immense pile-up or swarms of the subjects, hence putting together and repeating many images, were natural approach though it was the commercial graphic designer’s approach.  Impress and overwhelm the others with “immense amount” were noting but a cheap trick, easy exploitation of the digital editing.

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It was the snow outside.   (The Photos here were taken by either Canon fish-eye zoom 8~15mm or homemade Helicoid-B lens on Sony A7R.)

PS :  Next day I read the booklet of the exhibition and realized that Gursky applied all those stitch work / digital manipulation for the “sake of reality” and later, he wanted to have painterly effect blah blah (by taking picture of the Turner’s paintings   :-D) ….. though, very simple answer to him was that his image was not pretty,  but just messy = does anybody want to have his photo on your wall, other than a sake of snob ?   😀

To compose the image, Approach from the pattern is easy, because it can be done in logical thinking.   But esthetic beauty only come from the deep intuitive sense.  So, its easy to see why Gursky resorted with those pattern or repeating expansion in mass.  But it IS not the art, but an industrial production.   ( Or was that cynical Modern Art ?)

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Canberwell Cherry by Other Lenses

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You may think, the camera was rotated but this swirly bokeh was the lens’ own aberration.

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Those two were by Helicoid-B lens 

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And those two were by G9 lens

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Those photos above were by G10 lens

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What I don’t like about this camera was, its AWB (White Balance) changes frame to frame.

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And those two were by SZ lens

—– The hardest part in those photography was, to sort the photos without mix-up, not mention the trouble to capture them while holding the camera high above the head and shoot by guess-work. (You know, the Photography is a hard work)   😀  

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Camberwell Cherry by NZ Lens

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NZWhile passing through by bus, I noticed that a Cherry tree in a corner of the Green was in full bloom.  So, I went back there with my camera together with some homemade lenses. 

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(In this photo the red cast seemed to be created by the camera’s image processor — may be non genuine lens may not work well with this camera (Sony A7R)

Cherry itself seemed to be a primitive wild cherry, we called Yama-zakura (Mountain Cherry) in Japan, not the well cultivated Kan-zakura (Winter Cherry), nevertheless Cherry flower is the Cherry flower. (May be from the mountain standard, the climate in the town was warm enough to open their flowers.)

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(The photo above left was the other tree nearby — this one seems a Plum flower)

The photos in here were taken by the lens called (or, I named) NZ lens.  It was a Nikon Zoom lens which I utilized its front element, and made it as an individual lens. (Works as a 90 mm F1.6 and able to focus down to 45 cm)  Its macro quality was not too bad though, it got a strong aberration and together with its “Fully open” F1.6 aperture (Think, 90 mm F1.6 is pretty big), it’s creates “Fantastic” fuzzy images like those top photos.  They were shot while using 10 mm extension ring.  And this fuzziness IS very unusual = it looks like a halo in the highlight which spread around still, the details and the contrast in highlight was maintained. = I never seen the image like this.   (If you agree with it.  😀 )  

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Origami

I found a blog post showing the photos from the Origami exhibition of ICOA (International Collegiate Origami Association) = Those Origami exhibits were created by the Uni’ students, the members of each Origami club.   I show you one of a jaw dropping work, may be a typical Japanese Art of dedication which said to have 4~5 years of preparation and 3 weeks to make.  You believe or not, this figure of Hi-school girl was made by just a single square blue paper which got white back, without a use of scissors. 

Origami-5-001If you can’t believe, try make the same, following the draft / pattern here by yourself. (The same one would be made but, be prepared to spend few weeks of intense work) —– may be better start with simpler practice —> you may find a lots of Youtube instruction by Googling “Origami”. = I saw some of them but soon gave up.   😀

 

The original blog ( you need to read Japanese though the photos of those Origami works are worth visiting) :nlab.itmedia.co.jp/nl/articles/1708/16/news095.html#l hoico 170816jkori02.jpg

In there you may find the ICOA info’ as well. (or, you can Google in English)

They ARE in deed the work of incredible concentration and the dedication —– might be something common with other Japanese craft though, I couldn’t figure out how the creator could foresee / plan the process = (to see the “would be shape” beforehand —

Or lots of try and error ? — then the pattern of outcome would be accumulated (so-called experience) then, further advanced variation could be tried out — and so on, —– Or, is it the same to see the effect 10, 100 moves ahead on the Go, Chess, Shorgi game ?  And the same to forecast the effects of economical / financial move ?  (They ARE all follow the rational logic = to forecast the result may be the matter of the accumulated patterns = memory power / intelligence —– is it ? 

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