Tilting Macro Bellows — Field Test

Following the test like previous post of homemade bellows, I took it to the park.

Setup was either Micro Nikkor 55 mm or Tamron 90 mm Macro on the bellows

which was mounted on Canon 5D  Mk-III.   And the most of the shots were taken

while the lens was tilted up to 30 degree. (Nikkor 55 mm = up to 20 degree,

Tamron 90 mm = up to 30 degree —– before the corner cut-off starts.)  

And as no F-aperture control, all the photos were taken with

fully open F-aperture.  (And hand held.)

Photo above, Right photo, you may see something strange = why the back petal

was out of focus. —– Because the lens was tilted.

Those photos were the too conspicuous demonstration of the tilting effect.  😀

But those were a bit more subtle.

And above left photo was made with Pan-focus effect and

the right was with Shallow-focus effect.

Shallow focus with rather exaggerated out of focus Bokhe. 

With the Bellows extension, the lense can give even larger close-up.

There were a lots of Bees and Bumble Bees though, they were too busy.

This small black fly seemed to taking a rest.

This Hovering Fly — right 2 photos, she was in the air hovering.

(I needed at least F5.6, not fully open 2.5)

Looks quite  inconspicuous,  still this photo was benefited by the tilting effect.

—– Tilting the lens works well though, to have full benefit of it need to have it

from infinity, not just on the close-up = But to do it,

I need to make yet another Tilting SLR using DSLR body.   🙂

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Tilting Macro Bellows Test

These are the photos of the test shot of the Tilting Macro Bellows

which I’ve shown in this blog two posts ago.

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In photography,  Focused Plain is parallel to the Image Plain. = It’s mean if you 

want a photo of the wall painting, you have to aim a camera parallel to the wall.

(Ideally, the camera should be held at a half height of the wall and in the center,

provided the lens can cover wide enough for the whole wall.)   But when you want 

a photo of the carpet, you may not able to hold the camera right under the ceiling.

= Then you have to take a photo from one end of the room.  As the carpet stretching

end to end, to have the whole area in focus is not easy. = You have to use small

F-aperture and very slow shutter speed.—– Otherwise, use a camera which can tilt a

lens or use a lens called Tilt-shift Lens which may carry a price of £1500 or more.

——- Photo above Left is a modified camera “Conica-Tilt 2” and here with

——- Nikon PC-Nikkor 35 mm F2.8  

——- and the Right, this massive lens is Canon TS-E 24 mm F3.5   

When the lens was tilted 10 degree,  it can focus the object 20 degree out of parallel, in

other words, even if the camera was held parallel to the wall (90 degree to the  floor),

if the lens  was tilted 45 degree down, it gives a sharp focus of the floor, end to end.

( But very few lens can work while tilted 45 degree =due to limit of the image circle.)

Photo above, are the demonstration of  Tilting lens effects.  

Photo Left, the lens was dropped hence, Pan-focus effect was created.

But in the photo right, the same degree tilted lens was aimed to the same subject

“Upside down” (Lens was tilted upward) hence giving very shallow depth of focus.

The relation of the Subject – Lens – Camera was like this.  

Left for Pan-focus and the Right for Shallow-Focus effect. 

When the lens was tilted, focused plain is no longer parallel to the camera,

= like on this photo, as the lens was tilted left  20 degree, the focused plain

runs almost corner to corner.   So that, this kind of technique gives more 

choice of the focus control = which subject to be captured sharp.

(The photos here, Micro Nikkor 55 mm F3.5 was used on Canon 5D Mk-3

with F-aperture was set to fully open F3.5)

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Tilting Macro Bellows

This is a photo of a hand made close-up accessory = Tilting Bellows, I made when

I was first year in my Uni’  and it was featured in a Japanese photo-magazine.  

On that time, I didn’t have proper Macro lens — I had Nikon F Photomic,  

24 mm F2.8  and 50 mm F2  that’s all.    And for the special close-up photo 

of the plant, I was using modified Mamiya Press (6×9 format).  

I made this mini bellows for use with 50 mm f2 lens and this combination

gave  1/5  to life size close-up.  —– Without doubt,  this must be the most 

rudimental, and cheap bellows ever designed !  

(You may see the extreme minimal way of the thinking in this design !) 

 = Lens rear cap was mounted on a L-shaped small aluminium panel and

 it was connected to a body cap with a kind of bellows made out of a plastic

sheet (it was a dark curtain).   Lens panel and the camera body were both

 mounted on a straight  camera bracket by means of  1/4″ screws  which 

allow the lens to be held up to 50 mm away from the body, and the front

panel (hence the lens) could be held in angle to the body, therefore 

tilting effect could be easily used as a focus control as well !

I’m certain I got the original somewhere though,  to use it with Canon EOS 5D,

the height of the lens is not the same and to use it with Nikon D810 would be

too awkward ( because of their setting of Non-CPU lens. )  —>  I decided to

make the same for  5D, but use with Nikon lens —– Nikon lens has manual

F-aperture ring and the flange-back is 1.5 mm longer than Canon. )  

Photos above shows the making process.  (I used the lens rear-cap again. )

Then, to make a bellows, this time I found a black leather in a flea-market.

—– Still, bag-bellows has to be designed and stitched in rather awkward way

though, it can be done anyway = only needs stitch, — by stitch.  😀

So, this is the finished product. (Though, I’m going to change the

body mount ring to black aluminium one.)  

Still, what all those works for,  was remained to be seen with the resulting photo.

This is the sample of the tilting effects. (55 mm Micro Nikkor,  20 degree tilt)

(Top photo shows Pan-focus effect.   Bottom photo is its reverse effect.)

If the junk material was available, the cost to make like this would be

as little as £5 if not nil.  🙂

———-

PS:   Good additional reading = [Shallow Focus — Pan-focus]

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Green Karenisque Photo

If the camera was shaken while the shutter was open = image get blurred.

Still, if the shutter duration was very short (fast shutter speed) and made

the length of blurr short and negligible,  we can accept it is sharp enough.

(So, when you shoot moving subject, use higher shutter speed = image was

not still though, our eyes may not able to see such detail and think it sharp.)

But when the image showed a lots of blurr, we see it different.  Intellectually it

wouldn’t make any sense as the subject though, we see it a kind of sign,

unknown symbol or illegible message. 

—– We just open our mind while abandoning to think what it IS. 

When you see a blurred photo like this, you might thought that the camera was

vigorously shaken or twisted.  Though, in reality, it was made by a small wobble

of the wrist when shutter button was pressed, that all.  If you put two rulers or

something straight from right hand side center of rotation to one streak of  light,

you may measure the radial angle of the movement. = It’s only about 3 degree !

(Still, it is a combination of the movement, the shutter speed and the lens

focal length. = if the shutter speed was longer and the lens (Zoom position) was 

longer, the brurr would be much more.)  

When I was in my Uni’  I had  free access to our Photo dark-room and able to do

all sorts of Photographic experiments.  And on top of this, I had access to the

engineering workshop of the Technology Dept’ not mention their skip was filled 

with discarded materials and the broken machines = I could make all sorts of

things, while using even big engineering machine.  

So, when I wanted to try blurring effect, I made a Camera Rotating Bracket  

which can rotates the camera at the center of the image and corners —–

then I realized that to make rotating blurr does not need to rotates the camera 

but just radially wobble the direction of the lens.  (It’s the same, to draw a circle,

you don’t need to rotates a pencil with caliper but just move a pencil circular.)

But shake the camera straight is a bit different from rotates.

How fast is depend on the shutter speed and the pattern of subject.

Just try and see the effect.   (And try again and again. )  

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Karenisque Flower Photo

Here again, those are the photos created, while the camera was shaken. 

Anyhow, as it was not for scientific, critical needs, photo or the visual image

doesn’t need to be sharp and clear. Hence, the Impressionist’s paintings

has been appreciated on the wall.

Photo above top was made by a bit of off focus,  

and the bottom photo was made by a shake.   🙂

You may not know that the photography can be a good exercise too !  😀

So on.  It’s a good twist Sir !

If you can’t attach Pinhole on your camera, still want to take other than

an ordinary sharp, well focused photo, why not try shake your camera.

They are THE Photographs too !  (Why not.    😀 )

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Photografica-Karenisque

Among the WordPress photo-bloggers, Karen of Draw and Shoot is a photographer

I’m following more than 3 years as she is the Photographer who can capture

the air beyond the image can tell. 

So, I want to learn from her a lot though, art is not a kind of faculty we can copy

but we have to born with, still, some of her technique such as intentionally blurr

the image or make it out of focus, could be  somewhat superficially mimicked.

—– anyhow, those are the first attempt to learn.  🙂

(Shaking thousand times, there could be a moment to discover a secret.  🙂 )

Of cause, even making identical image doesn’t mean able to create the same art.

(anyway, I don’t have the same woods or the river, not mention the same snow ! )

—– buying the same camera, in order to take same good photo like a famous

photographer — is a well repeated joke.    And using the same technique doesn’t

make same photo is “strangely” true !

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Many years ago, I set-up the lighting and a model to teach portrait photo to the

students of  St. Martin’s.

While shooting, I found a tick on the model’s expression, so, I asked a student

“Hey give me the camera, let me click” and took a photo using her camera.  

I did twice of this during a session.  — When the film was developed and a contact

print was made, the other graphic student of  St. Martin pointed out those two

photos which I took, saying that they are looks different. (but not know why.)

The same lighting, the same model sitting on the same chair.  Camera and the

lens was the same and on the same film, still the differences were clearly visible.

= If the photographer couldn’t make such difference, better go to another 

profession.   And the art student who couldn’t distinguish the difference

among the shots, better change the school.  

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Small Repair (2)

My friend brought a broken external speaker to our Weekly Meeting

in Greenwich.  Its left channel was working but the condition was not stable.

—– When electronic device was unstable to a mechanical shock,  the cause

may be in a mechanical component such as switch, volume control

otherwise somewhere has a loose connection. 

With a detailed observation inside and the check of the resistance value,  

the Volume Control (blue block)  found to be faulty.

—– So,  I removed it from the board and disassembled to see the inside.

On the middle of right photo, you can see the burnt-out volume structure.

To check whether rest of the circuit is sound or not,  the best way is to put

fixed value resistor in place of Volume, in this case  20 kΩ  ganged volume was

replaced by 4 x 10 kΩ  resistors which gives a setting somewhere in the middle.

—– As I couldn’t find the identical replacement,  I put an equivalent

Ganged Volume ( they are for each Left and Right channel) instead.  

The repair has done and it worked perfect.   (don’t complain poor look and some

inconveniences = repair was for the function.  As long as the sound is OK, it’s OK

—– to enjoy the quality of sound, out of Philips Amp and the Speaker, while pay

nothing — don’t ask too much.  😀 )  

( After all, repair was also free  =  neither me paying any tuition fee, still I learned

quite amazing idea of Philips’ audio design  = What a fun ! )

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Mono Hole – DD Pinhole Comparison

Another day, I demonstrated the effects of the Pinhole to a sceptic in a Park.

So, the Photo above is the reference shot by a Fish-eye lens.

Photo above are the images made by [Wide-angle Mono Pinhole] (Left)

and the Pinhole alone (= Wide-angle lens was removed) (Right)

And here, the Photos were made by [Concentric Double-density Pinhole]

with Wide-angle lens attached (Left) and without (Right)

A Fish-eye image of  “Pink Forget-me-not” (I think) — note,

even Fish-eye lens has limited depth of field.

Left was [Wide-angle Mono (single) Pinhole] (Orange cast was caused

by a light-leak.)  Right was [Wide-angle DD-Pinhole]

Left = Wide-angle Mono-Pinhole.  Right = Pinhole alone and close to the flowers.

(Remember, Pinhole has no focus —– even no view-finder image = too dark.  

Therefore all those photos were the blind-shots)

Left = Wide-angle DD-Pinhole.  

Right = Pinhole alone and close to the flowers. (The line in the left side

was caused by an internal reflection.)

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At least, my friend was convinced that the effect was not by a digital

manipulation though still sceptic about the significance of the image.  

That’s a matter of the taste Sir.  😀

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Daddy Long Legs

————————   HEALTH-WARNING = NOT suits for Squeamish person  🙂   ————————-

M

M

M

M

M

Well, this is about a visitor here / Daddy-long-legs.  🙂

In principal, I don’t discriminate any life form —– though, in practice,

I’m not welcome any visitor here. (Before, I invited the person to come and

see my work here.  Though, since I started this blog, I just tell the person

“Just look into my Blog and Youtube”.  Yet still, insects are kept flying in and

I knew the Spiders must be somewhere —– though, I didn’t expect to see a

Daddy-long-legs in my Kitchen.  =  She hanged on the inside of a fruits bag.

But, how she came here — walk-up all the way,  outside wall  ?  

Or born and had been living under the floor board  ? 

(Photo Left /  F5.6 ,  1/60,  ISO 3200.   Photo Right / with Flash,  F16,  1/100,  ISO 400

by Canon 100 mm Macro F 2.8,  5D Mk-III )

( Part-enlarged Image —– It is an incredibly designed piece of mechanism ! )

Well, —– not so pretty face to watch.  😀

Though, she might not wish to born as a Daddy-long-legs, and a Hindu person

may even say that she could be a woman before !     Who knows.  

—– still,  what so ever, she is an amazing creature !

(How she could sense and catch small insect ? — by eyes or detects vibrations ?)

(To see how she hunt other insect,  I should watch her all through the night

though, I’ll do it one day in my next life. —– I guess, somebody must have done.

= Isn’t there any video clip “Hunting of Daddy-long-leg” in YouTube ? )

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View from Roof-top

Me and my friends went up to a roof-top of a building in Greenwich.  

One of the friend brought up 800 mm mirror lens on Canon and me with the

same D-D Pinhole, the other with a compact camera and we took some pictures. 

Though we didn’t stay long as it was a bit windy and  chilly.  Still, I could see a kind

of potential with Wide-angle Pinhole for the land-scape photography = weather

permitted, with something great lighting such as a sky burning sunset.  

(Something like the paintings of Turner !  🙂 )

I borrowed 800 mm lens and clicked few pictures.  

In the Photo left is the top of the Canary Wharf (1.8 mile / 2.8 km),  and in 

the Right photo, the Victorian Tower of the House of Parliament and the

Westminster Abbey (5 miles / 8 km away).

And this is the top of so-called O2 / Millennium Dome (1.8 mile / 2.8 km away). 

Photo left,  the mast of the Cutty Sark and the Church tower.

The clock face in the right photo was a part enlargement.  

(Not too bad quality for a £150 second-hand lens.)