Yoshizen's Blog

What on Photography


Although it was a bit cropped, still this was a quite wide-angle view (18mm) of a morning sky, and this was more or less the view what we are actually seeing = in other words, this IS a faithful representation of the view = and that was what we expect to a photo.  —– So, the Photo IS a COPY of the subject, therefore if the subject wasn’t there in the first place, the Photo couldn’t exist neither.  And may be because of that, the Photo competition prohibit the Photoshopped photo.   Photo has to stay as a faithful secondary image of the subject.


And this is the image of the same sky, taken by the other camera at about the same moment of the photo on top.

So, this is a tricky situation. This photo above may be seen to be an illegal image using a ready-made digital effect, so-called “Filter” such as in a smart phone.


But this is the natural character of the lens.  From the common sense, this images may not to be regarded a Photo still, this IS the image, straight out of the photographic device / camera.  (Downsized to 1200x*** and collaged by Picasa in my XP laptop)



They were the images out of Sony A7R with so-called Helicoid (B) lens. —– If the photography was a mean to express oneself, those photos may have my feeling which evokes much deeper into your subconscious.  And they were not by the ready-made effect but only one of the kind in the world. (Whether you like it or not.)   😀


Camera shake

Cam shake-TC Pinhole-1-A09A5872

(This image above was shot by tri-color pinhole and 10 second exposure. )

Among the photographers in the net-sphere,  Karen McRae of “Draw and Shoot” 

must be the master shaker of the camera.   Not only incredibly precise macro

photography, she covers fantastic landscape, some of them were mixed with

subtle camera shake, multiple-exposure, layard images etc.

(I strongly recommend you to visit her site and see them by yourself !)

Cam Shake-TC Pinhole-2-258-001

Her effective use of camera movement for the sake of creative imaging, such

subtle blur of the image, showed not only the movement but also a

flow of the time, depth in our time and space =

even a feeling being in the spiritual infinity.

(I’ve been trying to learn and simulate her movement of the camera,

while calling them “Karenisque Photography” — I succeeded very little. )

Cam Shake-Spot L'-3-259-001

(The trace of the light while camera has been shaken = 10 second exposure here)

( While try to copy the movement of her photo, I realised that she must have

exposed the camera even minutes long — with 10s of test shots if not hundreds.)

—– On her photo of ” lingeringlights 1.jpg ” = camera might be held and exposed

even 30 second long.

Cam Shake-4-A09A5792

But, the use camera shake to the everyday objects, = it become clear, not only 

the choice of the subject but also the lighting (weather / cloud) overall darkness

become crucial. —– otherwise, the photo become just a mess.  🙂

-Cam Shake-5-260-001

Karen’s use of camera movement was very complexed = not only the overall movement,

but also a combination of a follow-shoot (such as to keep aiming to one subject while

moving in a car) the background would be totally blurred  but the aimed subject would

maintain less blurred image. = still, it’s just a technique.  

The matter is the end result. = and she’s been creating utterly puzzling images. =

I couldn’t guess what she did it —– So, I described it a “Magic”.   🙂


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