Yoshizen's Blog

Is this ZEN or nuts. (2)

I’ve put this picture before though, this IS too iconic and deserve to have its own post.

Young man who reached to his adulthood this year showing off who he is on the local ceremony event where he may see his old mates of junior school etc.

You may think, that was his display of his EGO, but you were wrong. Think, if he got ordinary mind of ordinary citizen, or common EGO such as the collective unconscious, do you think can he do the public display like that ?

Too often, this was the case that the other people misunderstood the Japanese mentality. = It was not a matter of EGO but, he was just playing the role without his own SELF. And he might have taken the role without having any order or others suggestion. = it might come like a revelation = Oh’ I got it, I’ll do.

So, a Chameleon pearched on his head. = pretty impressive !

Thousands of the people took the role to volunteer the rescue work after the disaster in such a way. —– In the same way, often the people take their work / job to became a man of “research” or a man of “the convenient store” what so ever. And that was the reason why others hear the story of “How the researcher dedicated his life to discover or develop the scientific something.”

And here again, it was not a kind of the intended dedication. But, he just took the role, since there was nothing else in sight = so, he was just doing the subject on front of him. This mental process was in fact the mechanism of the ZEN of which the key word was No-SELF. Since No-SELF = there couldn’t be any intension. = Just do it !

The matter of whether this person doing IS ZEN or not, rely on if he can be selfless when he deals with other than his Chameleon.

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Pla Lens

Sorry to be too casual — Pla was a shorten of Plastic magnifier. I don’t remember how and when I got it. As I was looking for a lens which is large enough to accommodate a lens of one-time use camera kind, I just found it on a corner of my desk.

Pla on NZ7

Yet another fuzzy photo was a result of the newly created homemade lens, out of plastic magnifier and a one-time use camera. —– I have tested 1/2 lens, 1/4 lens kind though, they were the lens combined the out side of each other. = So, how about to try “Concentric two lenses” !

Godo on NZ7

(Incidentally, this photo was taken by a bit more ordinary (?) lens = Godo Lens.) —– You might say, when one lens can produce the image like this, why do we need yet another lens ?

The situation was more complicated = TO accommodate the other lens in concentric mean, I need to put another lens in the centre of a lens = It’s need to curve a hole in the centre. —– So, I improvised some tools to make a mini bench drill.

I just carried out the work = 10mm hole was drilled on the centre of Pla lens and a one-time use camera lens was inserted into the hole. Then the lens all together was mounted to the camera. It was mounted to the depth where one-time lens can make the focus = but too short to the Pla lens = hence, the resulting image was like the photo right.

(Ring shaped Bokeh was made by the Pla lens’s so-called “Ring Bokeh” caused by too out of focus lens. — it’s mean, even the “Bokeh lens” has to have about near focal length = out of focus may makes nice bokeh, but “too” out of focus may be too bad. 😀 )

So, this image was the worst among my homemade lenses ! 😀

A night sky —– anyway, we may not need much of details.

So, how about this ?

M m m m. —– It may need some improvement (I need to find the lens which can make softer Bokeh ! ) still, I like their paintary effects.

I can’t resist loving the image like this.

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Is this ZEN or nuts ?

You may not guess what I’m going to talk. And don’t know what this is.

It was my life’s residure and its accumulation. The Lidl’s plastic tray of the Chicken.

I stopped to eat Beef 1987 when the BSE was reported. (It happen to be the same year, I also stopped any sexual contact when the first news of new diseases = later named to be AIDS was reported.) —– So, since then I only eat Chicken or fish, on top of veggie and fruits. Therefore, with my regular shopping of Chicken (about 1kg par week), those plastic trays are keep coming. —– as a kind of tempolary container, those trays are always conveniently in use still, much more trays are piling up. (If I were a good business person, I might have made a rule to limit the number of the trays in stock.)

If it was 10 or 20, nobody would bother. But when it accumulated to the hundreds, people may started to wonder — “Is it ZEN ?” — or nuts.

Number of ZEN stories are the story of the endless concentration and the result of the tenacious pursuit. = as a matter of fact, the practise in the Buddhism is nothing but the endless repetition of the same action. —– whether the matter or its purpose was the end result or in the process, its practise changes the person. So, its hard to tell, whether the continuous action was a part of ZEN practise or the problem of one’s own mental.

Then, if it was the case, how they related to the Buddhist mind of Detachment, No-clinging or live on the Impermanence kind. = you may feel the contradiction between here. —– Why you feel contradiction IS because your understanding of Detachment / Mushin = Mind of No-mind was wrong. This was the most common misunderstanding in the Buddhism. = Detachment / Mushin IS NOT an idea or thinking BUT they are the condition of the mind = like the mind was in an up-beat or sud state kind. I’m not thinking “Not to buy Beef” but I don’t see the beef there. (Not to buy Beef was not an ISM or thinking BUT it was the situation of “No beef was there”. ) So, no-one see the beef, because the one who see the beef / SELF is NOT there.

Because of, the people try to UNDERSTAND the Buddhist’s mind or try to think “That way” they can NOT get it. Buddhist’s mind IS NOT attained by intention. It has to BE in the state. When you are in, you can not aware that you are in.

So, the tray of Chicken keep accumulates —– without my conscious. I’m living without me aware that I’m living. I do, I eat , I speak what is natural to me. So, I don’t import anything foreign to my life. This IS what we call Buddhism. IF you THINK and TRY to practise Buddhism, it is NOT BUDDHISM. BUDDHISM has to reach without intention. While living as a Buddhist but forgot that you are a Buddhist, you are a Buddhist. In that state, even the SELF = you are, not existing.

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I found a photo looks too iconic of the Japanese mentality ! This is what we meant “Go for all hog” —– this mentarity was behind the recovery from the earthquake disaster etc.

The young people attending the local ceremony to count that they reached to the adulthood on this year.

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Strange Fragmented London

Those photos were taken in the same time of other “Fragmented Lens Photos” though, something wrong with Colour balance setting. —– Still, I like them.

Is it possible to take photo without an intention of taking photos ?

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Fragmented lens for London snap (A)

Somewhat the same landscape by the “Fragmented Lens” on Nikon Z7.

It is something puzzling me ? ? ? —– Advanced image processer in the latest camera straggling with unusual images and make the image even more unnatural.

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Archery Contest — Zen ? ? ?

There is an annual Archery Contest in a Japanese Buddhists Temple = Sanjyu-sangen-do, Kyoto. (If you are interested in its details, please google > Toshi-ya, Sanjyu-sangen-do ) (the Viz here is the Female Archer’s day’)

What I want to talk about here is not about its history or meaning, but the way how Japanese Archery / Kyu-do was done.

From the Viz here, you must be realised that the Japanese Kyu-do mount the Arrow outside of the Bow, and not aiming the Arrow while watching its direction from the back. Unlike a western archery, cross-bow, or a riful gun there is no “sight” to aim the target. The eyes, the head of archer is the other side. So, you might be wondering how the archer could aim the Arrow to the target ?

Training is to train the body function, its power and the coordination to higher level. —– In the case of Karate, (say, hit an opponent by a fist) the movement and the control is rather simple as it is the matter of the hand’s movement. Though, if it involve a weapon, the coordination has to become a bit more complicated as the movement became indirect. — still, like cutting a lemon, the body (hand) need to keep the knife steady and make its movement constant, while involving rather small number of the muscles, while having the straight feedback of the each movement through the eyes. (On this “cutting lemon” arrangement, even a direction of the knife blade could be changed while the blade is in the middle of lemon.)

Though, the Japanese Kyu-do’s control is incredibly indirect. Certainly the Archer is seeing the target and stand towards the target though, we can not see any further details of the control, how minute adjustment of the angle was transelated into the arm’s muscle or body position etc.

In this field, a book [ZEN in the ART of ARCHERY] by Eugen Herrigel has almost historical significance. (—– though, as the Kyu-do has no mechanical system of the “Control”, neither Zen use the verbal communication to explain how, the book wouldn’t give you any answer how the arrow could hit the tail of the first arrow. But only hinting something spiritual made the arrow to fly.)

In Zen term, it is the state of the Ichijo = Body and the Mind, the Bow and the Arrow, the target, and even the air all became one by abandoning all those. In Buddhists term, it was absorbed by Dharma. = By abandoning all the aim or thought to hit, obtaining the natural control of the Dharma = this paradox IS the core of the Zen Buddhism.

In This extent, the Book by Eugen Herrigel was a very rare and important guide book to learn the Zen. To learn the Zen, an innocent, naive man could not able to learn anything by sitting. Because there wouldn’t be any explanation of Zen let alone what the sitting for. Yet still, that book explain, how to negate the own Ego by exactry follow and copy the way to do the Kyu-do. And the way to abondan even the intention to hit = to become the Void oneself. (The book was written by the outsider = not by Zen monk, hence the trade secret has been exposed ! ) So, the reader could able to learn the mechanism of the Zen.

However, if it was looked at more demystified angle, the control of the Kyu-do might be somewhat similar to the Skiing. Control of the ski board couldn’t be done by just the legs but needs to have all the coordination of the whole body, on top of the snow condition and the topography, even the weather. Then the certain aim or a mind goes to the ski, yet still, we are not skiing while thinking how to ski. There may not be a kind of “The Mind of Ski” —– it could be empty. But, without having any thinking of control, if the aim was goes left, the ski goes left. There may not be any mythical control behind still, in the certain level of advanced skill, whole control of ski or Kyu-do could be done in the almost God’s hand level. —– This advancement could be achieved also under the Zen approach, still, make it thankful to the mythical Dharma or just a physical advancement would be a matter of one’s belief.

—– So, it was the same situation, when I was making aluminium sculpture “Buddha 2009” I needed to find the aluminium pipes for the material, then I found a lots of discarded pipes from a construction site = its always like this happen on me. (What I’m doing synchronise with Dharma —– or they help me) .

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Our vision — Photo image

This is a part of the previous post —– as I found it got very important point in the aspect of Zen (See — feel — think — what is real — truth) not only in Photography.

Rather fragile looking Scabious —– the lens showed peculiar depth of field image, and the size of back bokeh is gorgeous.

(But have you ever seen such bokeh image in nature ? —– they exists only in the photographic image = they are not real, neither your eyes are telling the truth —– So, how can you tell that the photography IS the faithful copy of the real, without knowing your own eyes could not tell what is real.) 😀

(For example, we are not seeing square building, since we got fish-eye vision as our eyes are round ball, so that, our brain is reconstructing the image following the stereotype that the building is straight = therefore, the photo of the building has to be square ! —– So, how can you tell that the photo of the building is faithful copy of the real building, = you see what I mean.)

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Somewhat related reading < St. Lucia — wire figure >

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ヨシ禅ブログ要約

これは「仏教の行と大脳生理」のポストに付いたコメントのやり取りで言い得て妙だと=再録に至った次第

Spiritualism | Yoshizen’s Blog said, on April 21, 2019 at 19:00(Edit)

[…] このブログでは禅仏教を専ら神経生理の自動制御に帰結して論じていますが、そこでは「だから何ンなの」はめったに出て来ない。自動制御の稼動状態は誰の目にも明らかであるから解り易い。しかしその背後には不可解なものが多すぎる上に「ホンマ?」がついて回る。無心になる事で、経験則やDNAに予めプログラムされた自動制御に任せる。同様に生をカルマの生起に任せる。=これで人智を超えたダルマによる完璧な対応処理が行なわれ全てメデタシメデタシなれば文句ナシ。---とはいかない。都合良い神ワザ伝説はいくらでも並ベられるし、それをもってスピリチュアルな調和が得られるなどと強弁しても意味はないーーーつまりそれが真実ではないのだから。=真実ではない所がダルマゆえの真実か?と、解ったようなシタリ顔してもまた無意味であるし、だからサトリは犬のクソと言ってみても何も始らない。 つまり完璧な答はどこにも無い。 […]

yoshizen said, on August 25, 2019 at 12:02(Edit)

スピさん、コメント深謝。御自身で諒解の如く言葉としての解答などどこにも無いでしょう。それでも何かスピリチュアルな真実をお持ちいただいたとか? 是非お聞きしたいものですね。
そもそも小生がやっているのはゼロから出発してのDⅠY禅探求です。つまり2500年前同様、何の仏典も無い状態で、色々試しながらそれが「いわゆる」禅と伝えられているものと合致するか、その検証を試みている訳です。
自動制御は遇然の発見ながら、これこそが
釈尊が見出したもの、そのものであったとは完璧に納得。で、だから何ンなのよは、DIYそのものが答え。現にここに在り何だかンだやっている当人の在りよう、その事実、日常平常が答えです。ヤレ同心ニ重濃度針穴写真云々、ZAPPAの写真がどうのと、全て能書抜き、現にためらいも無くやった事、おそらくその解脱の上に在る自在が問題です。禅は能書でも足をひねる事でもなくいかにこだわり無く生きる事が出来るか、それが唯ーの目的。 (乞参照 >ヨシ禅縁起

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〜〜〜で、ここまで来てハタと気がついた間抜け、[ Spiritualism ]と言うのはコメントを書いた誰かではなく実は大分前に書いた自分の古いポストからの抜粋であった。

で、そこでさらに出て来る疑問は、いったい誰がこの抜粋を作ってコメントに入れたのか???---そもそも1000以上も有るポストの中から、しかも日文の内容を理解して撰択すると言う作業を、果たしてどっかのボランティアさんがやったのか、あるいは WP かグーグルの AⅠ が全自動で処理したのか??? ーーーそのどちらであったとしても、これは驚き以外の何物でも無いし, いささか怖い話でもある。ーーーつまり処理する目的で僕のブログを読んでいる目にとってこれらはどう見えているのか。ジャンクのベス単と禅がいかなる脈絡で捕えられていいるのか??? フシギ。

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Leitz 50 mm-vs-Zeiss 55 mm

Casually I called Leitz Elmarit lens I used on the Nikon Z in the previous post, a homemade though, glass itself was a serious Leitz product. Hence, having a proper optical quality as we expect. —– ? was it ? = was that quality, within a normal standard ?

—– So, I made a comparizon.

This is the test image taken by the Leitz Elmarit P 50 mm F2.8 at F2.8. With the focus peaking. (Photo right was a part enlargement of the centre = the top of the tree) —– the small twig still maintain its detail though, is this fuzziness normal ?

So, to have a close comparizon, Zeiss Sonner FE 55 mm F1.8 lens was mounted to the same Nikon Z7 body and had the test shot on the same tree, same condition. (since Zeiss / Sony lens has a funny habit = keep move the focus, so that, click the shutter when focus was peaked) In the photo right, some leaves on the tree were coloured red = may be an effect of the chromatic aberration. Was it ? Wait a moment = this is not a £1 junk projection lens but a genuine Zeiss / Sony lens costed hundreds of the pounds. (Even though it was made in Thailand)

Then, I gave yet another test = Zeiss Sonner lens was mounted on the Sony A7R body and had exposure of F1.8 and F8. (manual focus) —– F1.8 image (photo above middle) was the sharpest among all the photos in this post. (Though, strangely F8 image = photo right, was soft —– very difficult to make a precise manual focus on this A7R camera)

Since the same Zeiss lens showed no chromatic aberration on the A7R body here, there is a possibility of either (1) Sony has correction program built into their image processor to compensate lens’s own aberration. or (2) The lens’s obstruction = keep moves its focus when the lens was not mounted on the Sony body = moves only a small part of lens, only to destruct the clear image, hence making big chromatic aberration on the Nikon Z body.

Yet those photos here showed very different strory. The photos were taken same as those photos above.

= Zeiss lens on the Sony A7R body. Exposed on F1.8 and F8. —– But here, F1.8 image (photo middle) showed funny chromatic aberration (red leaves)

(This is the puzzle = how those red leaves were created ? The Sony camera and their image processor seemed to hide too many puzzles.)

—– the correction program of Sony Image Processor may be working erratic. (still, how to make only some leaves red on the Nikon Z and on the Sony A7R as well looks too strange = In fact, the culprit mast be the Lens, not the camera, though, how this Zeiss FE lens can put the red color to a selected part of the image ? === this phenomenon needs to be investigated further !

This is a problem of the “Soft controled digital imaging” = it would make a pretty picture though, it may work, may not work like a Beauty App. That why I hate those artificial images. (Still, film photography can create strange phenomena too —– but, as I didn’t have an experience to enlarge a 35 mm color photo to 1.5 m big and examin the details, may be I was not aware )

Here, they are the shot to finish-off this argument (of Red Leaves) made by Zeiss Sonner 55 mm ZE lens. = The lens was tested at F1.8 if it showes chromatic aberration of red and green fringe on the roof pattern. = The result was as you see. (When the lens was fore-focused, the image has green fringe — photo above right)

And I found a very interesting bokeh pattern on the tree behind. The question is, is this the quarity of the lens which says “Sony / Zeiss Sonner” ? ? ? ( 55 mm is not special, neither F1.8 is difficult to design)

So, how about the chromatic aberration of the Nikon 50 mm F1.2 (photo middle) and F2.8 (photo right) —– a lots of red leaves seems to be here too ! = We shouldn’t be surprised. —– Otherwise we need to pay thousands of £ for a lens which shows no aberration on fully opened iris. === Only the question IS, why we need such perfect image ? ? ? (May be the obsession.) = If you want to see the perfect image, come down to the tree and see it close)

The reason why we don’t see such Chromatic aberration everyday, —– (1) We don’t use maximum F-aperture often, except in the very dark situation. And if it was dark, we can’t see such color fringe in the dark details. (2) In those lenses (Zeiss 55 mm, Nikkor 50 mm) when we stop down two or three stops, the aberration would be disappeared = hence we don’t became aware its existence. (3) We don’t enlarge the image to such big size. = so that, in the small print, the color fringe (even if it’s there) would be buried in the details. (If you are seeing the enlarged tree top photos in this post on a PC screen, it is the equivalent of seeing a 36×24 mm size photo enlarged to the 120 cm x 80 cm (43″x32″) and giving a close look.

The aberration is an optical phenomena, when the light was not converged into the focal point and spread to the surroundings as well, make the image fuzzy. Among the cause of such problem, if it was coused by the way how the light was bend differently by its color (= wave length) it was called Chromatic Aberration. As you might remember to see the rainbow 7 colors made by a prisome, when the light go through the glass they bend according to the wave length (= color). To solve this problem, converging lens which bend the red light more to outward and the diverging lens which bend the blue light more to outward were combined together to conpensate each other to the light concentrate to the same focal point (so to make a sharp picture). —– While making the light bend inward and outward, still make them to converge to the same focal point, optical designer use the fancy technique and special glass etc etc = that’s why good lens is using 10 or more glasses inside of one lens. (= making such lens hugely expensive) —– Sigh 😀

—– Still, it is rather rare to see such prominent Chromatic Aberration like the red leaves here, —– in most of the case, the fringe color appeared only on the edge of the details and make the picture just a bit soft. (Hence the most of the people doesn’t became aware such things ever existed in his lens. )

And in this point, why the Leitz projection lens I’ve talked on the begining of this post showed such character become clear, = the projection lens showes the 35 mm slide image hugely enlarged therefore the chromatic aberration would become quite visible yet, a bit soft image wouldn’t be much of the trouble as the larger the projected image, people view it from the larger distance.

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It seems, the battle between the camera, lens keep going on. 😀

Onion onion

I’m not making any educative post but just write about a bit peculiar about my cooking. (of Onion) 😀

Since I’m getting lazy, my food life is getting boring too. Made the situation worse, I found the frozen vegetable convenient.

Other than a boiled egg, a slice or two fruits loaf, a hand full sprouts ( boiled) and some fresh fruits (I stoped to buy packed so-called fruits juice of dubious origin) for a breakfast, rest of the cooking became more or less the same pattern. Boiled frozen mixed vegetable with chicken or egg in a stew (some time miso based), curry or noodle —– always with “Special Onion” = quarter of a large onion was finely cut and the other quarter was just chopped. The chopped onion was boiled together with mixed vegetable (and cooked as a part of such as a noodle)

THEN just before the end of cooking, finely cut onion was added like spice and mixed. —– some of the people may be horrified to eat raw onion though, if you try, you may find that they make quite a good taste. Only the trouble might be a “said to be a bad breath” (because I myself don’t know) —– still, since I’ve been eating like this for the past 8, 10 years = so far nobody ever complained to me. (anyhow, I live alone and no habit of hugging kissing others) —– And some say, this raw onion (on top of no smoking, no drinking) may contributing my good health.

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